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Another common blue pigment was , which was made by grinding blue cobalt glass into a fine powder. The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Yugi and his friends heard her scream and rushed to help her, finding that she had lost all her Star Chips to PaniK. Retrieved 24 May 2013.

Archived from on 2008-12-03. London and Paris: Thames and Nagasaki. Princeton, NJ: Princeton University Press. Closeup of the red, green and blue sub-pixels on left. Скоро выходит вторая книга серии «КОРОНЫ И СЛАВА. Kingbetter known as Saint Louis 1214—1270became the first king of France to regularly dress in blue.

Other famous white and blue patterns appeared in Delft, Meissen, Staffordshire, and Saint Petersburg, Russia. Blue is a Bollywood film scheduled for release in 16th october 2009, starring Sanjay Dutt, Akshay Kumar, Katrina Kaif, Lara Dutta and Zayed Khan. In the late 18th century, the blue uniform became a symbol of liberty and revolution.

What a Wonderful World - I was able to realise to how great an extent, as I spent a whole year with her between the time she was chosen for the role and the end of shooting. From there, she continued meeting up with the four on occassions and helping them out from time to time on their adventures.

The film revolves around Adèle Exarchopoulos , a French teenager who discovers desire and freedom when a blue-haired aspiring painter Seydoux enters her life. The film charts their relationship from Adele's high school years to her early adult life and career as a school teacher. The premise of Blue Is the Warmest Colour is based on the 2010 French by , which was published in North America in 2013. Approximately 800 hours of footage was shot, including extensive footage, with Kechiche ultimately trimming the final cut of the film down to 179 minutes. The film generated controversy upon its premiere at the and before its release. Much of the controversy was centered on claims of poor working conditions on set by the crew and the lead actresses, and also the film's raw depiction of sexuality. At the 2013 Cannes Film Festival the film unanimously won the from the official jury and the. It is the first film to have the Palme d'Or awarded to both the director and the lead actresses, with Seydoux and Exarchopoulos joining as the only women to have won the award. The film had its North American premiere at the 2013. The film received critical acclaim and was nominated for the for and the for. Many critics declared it one of the best films of 2013. Adèle is an introverted 15-year-old high-school student. While crossing the street one day, she passes by a woman with short blue hair and is instantly attracted. She later dates and has sex with a boy from school named Thomas, but she is ultimately dissatisfied and breaks off their relationship. After having vivid fantasies about the woman she saw on the street and having one of her female friends kiss her, she becomes troubled about her. One friend, the Valentin, seems to understand her confusion and takes her to a. After some time, Adèle leaves and walks into a , where she experiences assertive advances from some of the women. The blue haired woman is also there and intervenes, claiming Adèle is her cousin to those pursuing Adèle. The woman is Emma, a graduating art student. They become friends and begin to spend more time with each other. Adèle's friends suspect her of being a lesbian and ostracise her at school. Despite the backlash, she becomes close to Emma. Their bond increases and before long, the two share a kiss at a picnic. They later have sex and begin a passionate relationship. Emma's artsy family is very welcoming to the couple, but Adèle tells her conservative, working-class parents that Emma is just a tutor for philosophy class. In the years that follow, the two women move in and live with each other. Adèle finishes school and joins the teaching staff at a local elementary school, while Emma tries to move forward with her painting career, frequently throwing house parties to socialise with her circle. Emma belittles Adèle's teaching career, encouraging her to find fulfilment in writing, while Adèle insists that she is happy the way she is. It gradually becomes increasingly apparent how little they have in common, and emotional complexities manifest in the relationship. Out of loneliness and confusion Adèle sleeps with Antoine, a male colleague. Emma becomes aware of the fling and furiously confronts Adèle and, refusing her tearful apologies, breaks up with her and throws her out. Time passes and although Adèle finds satisfaction in her job as a kindergarten teacher, she still cannot overcome her heartbreak. The two eventually meet again in a restaurant. Adèle is still deeply in love with Emma and despite the powerful connection that is clearly still there between them, Emma is now in a committed partnership with Lise, who now has a young daughter. Adèle is devastated, but holds it in. Emma admits that she does not feel sexually fulfilled but has accepted it as a part of her new phase in life. She reassures Adèle that their relationship was special, and she will always have infinite tenderness for her. The two part on amicable terms. Later Adèle goes to Emma's new art exhibition. Hanging on one wall is a nude painting that Emma once did of her during the sensual bloom of their life together. Though Emma acknowledges her, her attention is primarily on the gallery's other guests and Lise. Adèle congratulates Emma on the success of her art and leaves quietly after a brief conversation with Samir. He chases after her but heads in the wrong direction, while Adèle walks away into the distance. However, the film's treatment of lesbian sexuality has been questioned by academics, due to its being directed from a straight, male perspective. The issue of perspective has also been addressed in a review by Kristin M. Social class One recurring thematic element addressed by critics and audiences is the division of and the exploration of freedom and love between the two central characters, Adèle and Emma. The reference to social class is juxtaposed between the two dinner table scenes in the film, with Adèle's conservative, working-class family engaging in discussion over comparatively banal subjects to Emma's more open-minded, middle-class family, who focus their discussion primarily on more matters: art, career, life and passion. Perhaps one of the most significant differences between Adèle's and Emma's families is that Emma's is aware of their lesbian relationship, while Adèle's conservative parents are under the impression the women are just friends. Food Kechiche explores how food can evoke varying levels of , for instance through the sexually suggestive food metaphors of Adèle's liking of the fat on ham and her learning to eat oysters from Emma. Additionally, he looks at how food can be seen as an indicator of social class. Adaptation Director and screenwriter developed the premise for Blue Is the Warmest Colour while directing his second feature film, 2003. However, the concept was only finalised a few years later when Kechiche chanced upon Julie Maroh's graphic novel, and he saw how he could link his screenplay about a school teacher with Maroh's love story between two young women. Further themes are explored in Maroh's novel, such as to pills. I want to pay them tribute. Casting director Sophie Blanvillain first spotted Adèle Exarchopoulos and then arranged for her to meet Abdellatif Kechiche. Exarchopoulos described how her auditions with Kechiche over the course of two months consisted of improvisation of scenarios, discussions, and also of them both sitting in a café, without talking, while he quietly observed her. I had taken her for lunch at a brasserie. She ordered lemon tart and when I saw the way she ate it I thought, 'It's her! She possesses a real social awareness, she has a real engagement with the world, very similar to my own. I was able to realise to how great an extent, as I spent a whole year with her between the time she was chosen for the role and the end of shooting. We would spend hours talking about women and life; I also took painting and sculpting lessons, and read a lot about art and philosophy. Seven hundred and fifty hours of were shot. Shooting took place in as well as and. In terms of , the scenes in the film were simultaneously shot with two different cameras. For this technique not only facilitates editing but also adds beauty to the scene which feels more truthful. Another characteristic aspect of Blue's cinematography is the predominance of. Controversies Director Abdellatif Kechiche at the Upon its premiere at the 2013 Cannes Festival, a report from the French Audiovisual and Cinematographic Union Syndicat des professionnels de l'industrie de l'audiovisuel et du cinéma criticised the working conditions from which the crew suffered. Further criticism targeted disrupted working patterns and salaries. Technicians accused director Abdellatif Kechiche of harassment, unpaid overtime, and violations of labour laws. In September 2013, the two main actresses, Léa Seydoux and Adèle Exarchopoulos, also complained about Kechiche's behaviour during the shooting. For me, a shoot is a human adventure, and in every adventure you have some conflict. It was hard to film it and maybe people think I was complaining and being spoilt, but that's not it. I just said it was hard. The truth is it was extremely hard but that's OK. I don't mind that it was hard. I like to be tested. Life is much harder. He's a very honest director and I love his cinema. I really like him as a director. The way he treats us? The film portrays Adele and Emma's relationship with an overarching sense of realism. The camerawork, along with many of Kechiche's directorial decisions allow a true-to-life feel for the film, which in turn has led to audiences reading the film with meaning that they can derive from their own personal experiences. Kechiche removes the barriers that separate us from them. He brings the camera so close to the faces of his actresses that he seems to be trying to make their flesh more familiar to us than his own. The colour blue is used extensively throughout the film—from the lighting in the gay club Adèle visits, to the dress she wears in the last scene and most notably, in Emma's hair and eyes. For Adèle, blue represents emotional intensity, curiosity, love, and sadness. Adèle also references a number of times, who famously went through a melancholy. As Emma grows out of her relationship with Adèle and their passion wanes, she removes the blue from her hair and adopts a more natural, conservative hairstyle. Framed by black and Arab faces, Adèle marches in a protest to demand better funding for education. Yet, soon after she begins her relationship with Emma, we see Adèle marching again, hip-to-hip with her new lover, at a. Release Blue Is the Warmest Colour had its world premiere at the on 23 May 2013. It received a and ranked highest in critics' polls at the festival. In August 2013, the film had its North American premiere at the 2013 and was also screened in the Special Presentation section of the on 5 September 2013. The film was screened at more than 131 territories and was commercially released on 9 October 2013 in France with a. It had a at four theatres in New York City and Los Angeles on 25 October 2013, and expanded gradually in subsequent weeks. The film was released on 15 November 2013 in the United Kingdom and in Australia and New Zealand on 13 February 2014. As Blue Is the Warmest Colour, the film was also released on DVD and Blu-ray Disc in Canada on 25 February 2014 by , in the United Kingdom on 17 March 2014 by and on 18 June 2014 in Australia by. In Brazil, Blu-ray manufacturing companies and are refusing to produce the film because of its content. The distributor is struggling to reverse this situation. The film had a limited release in the U. Critical response Review aggregation website gives the film an approval rating of 90% based on 175 reviews and an average score of 8. More than 40 critics named the film as one of the ten best of 2013. In 2016, the film was named as the 45th best film of the 21st century, from a poll of 177 film critics from around the world. In France Les placed the film third in their 2013 Top Ten chart. In , awarded the film a maximum of five stars and tipped it to win the Palme d'Or. It is an extraordinary, prolonged popping-candy explosion of pleasure, sadness, anger, lust and hope, and contained within it — although only just — are the two best performances of the festival, from Adèle Exarchopolous and Léa Seydoux. There is a scene in the restaurant where two meet again, after years of separation, the tears that dwell on their eyes shows precisely how much they love each other, yet there is no way they will be together again. Blue Is the Warmest Colour is likely to be 2013's most powerful film and easily one of the best. Several critics placed the film as the front-runner to win the. The judging panel, which included , , and , made an unprecedented move to award the Palme d'Or to the film's two main actresses along with the director. Jury president Steven Spielberg explained: The film is a great love story that made all of us feel privileged to be a fly on the wall, to see this story of deep love and deep heartbreak evolve from the beginning. The director did not put any constraints on the narrative and we were absolutely spellbound by the amazing performances of the two actresses, and especially the way the director observed his characters and just let the characters breathe. Through the eyes of Adèle we experience the breathless excitement of first love and first physical contact, but then, inevitably, all the other experiences that make life the way it is... Their duration alone is exceptional, as is their emphasis on the physical struggle, the passionate and uninhibited athleticism of sex, the profound marking of the characters' souls by their sexual relationship. The gay and queer people laughed because it's not convincing, and found it ridiculous. But I'm also looking forward to hearing what other women will think about it. This is simply my personal stance. The actresses were also given the Palme as a special prize. At Cannes it also won the. In addition, this was also the first film adapted from either a or a comic to win the Palme d'Or. In December 2013, it received the for best French film. The film was nominated for the award at the and the for. At the , the film received eight nominations with Exarchopoulos winning the. Retrieved 11 September 2013. Retrieved 23 May 2016. Retrieved 24 May 2013. Retrieved 26 May 2013. Retrieved 16 June 2018. Retrieved 24 May 2013. Retrieved 23 November 2015. Retrieved 23 December 2015. Retrieved 23 December 2015. Retrieved 23 December 2015. Retrieved 24 December 2015. Retrieved 26 May 2013. Archived from on 8 June 2013. Retrieved 26 May 2013. Retrieved 13 December 2013. Retrieved 11 February 2017. Retrieved 26 December 2013. Retrieved 25 February 2014. Retrieved 24 August 2017. 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